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directory writable to others, with sticky bitġ1. The order of the attributes are as follows:ġ0. Make sure you select the BSD option for macOS. Vim embedded terminal After writing the code, I want to test it. itermcolors plist into a hex color object. 2) Add in /.vimrc After the above steps are completed, if you want to copy the entire code, fol. localofferterm, image, iterm, iterm2, terminal, shell, console, command-line. It will work in both MacOS/FreeBSD and Linux. 1) Open iTerm2s preferences, find General -> Selection, and cancel Copy to pasteboard on selection. Iterm2-color-schemes : A set of iTerm 2 color schemes/themes. Colors Clicking on any of the color wells opens a color picker that lets you change the setting for the selected color. It will even generate the "code" for you. First and foremost, its just a lovely calm feeling theme. However, there's a great online utility to see what each of the colors mean and look like in real time. The first two characters refer to directories having a bold blue foreground and a light grey background. The the colors are set by each bit above the first being foreground and the second being background. Otherwise for Bash edit ~/.bash_profile and add the following: export LSCOLORS="EHfxcxdxBxegecabagacad"Īlias ls='ls -lGH' <-This shows in list format, follow symlinks colorized If you are using Zsh - starting with Catalina it's the default shell, see MacOs Terminal zsh - cannot use ansi.
When I switched to 3.5 the joy was back immediately. Soundwise 3.5 is still the best I don't know why, it was much more open, smoother in general, more biting in the bass. The only thing that helps is a restart, but okay. Sometimes it's just slow or the songs are mixed wildly. I can set my bit rate as I like and it also implements it, which the other 2 don't always do reliably. Roon is just smoother in the end, to be honest.ģ.5 remains unchallenged for me,the operation is simply still clear compared to Studio.you can do less than with Studio but you don't necessarily need all that. In terms of sound, I would say it was almost the same as Roon. The operation and menu tend to freeze when I tested it.Īnd a stop button was also missing at that time - you could only pause. I found it more limited, especially with the bit rate settings. Very confusing for a beginner and not up to date.Īudirvana Studio, I found a little more confusing at first than 3.5.Įspecially in the settings, I find it confusing and you have fewer options than with 3.5. There is not even a lexicon to get to know the Roon language. I found the introduction to Roon totally crap to be honest. Soundwise it was okay but not necessarily outstanding.Ī few nuances are better in Audirvana and vice versa on Roon. If I want to add a title I have to open Tidal separately so that it is on the Tidal playlist, otherwise Roon throws it on its own Roon playlist. The only thing that bothers me about Roon is the playlist. To Roon miss one say the operation and the surface and what it contains everything is okay and the best what I have seen. My humble cannery: Sennheiser PX 100, HD 25 plastic, Aluminum, and 75th Anniv., HD 600, HD 800, Fostex TH900mk2 SB, TR-X00 Mahogany, Audeze LCD-2C, 3F, HIFIMAN HE6SE V2, HE400i 2020, Beyer DT 1770, DT 880/600, Shure SE535, SE215, RHA MA-750, Dunu Trident, Cables by .uk and skyaudiocables. Music: FreeBSD ZFS running on Xeon, CIFS/Samba and minidlna | Tidal MQA | Deezer Hifi | ScAmazon HD | Foobar2000 | ASIOProxy | BluOS | Yamaha MusicCast Origin is $89 as an UPGRADE ($119 as a new purchase), and is less functional (no streaming support), and buggier, than A+ 3.Headstation: Lenovo M75t Audio-gd DI-20, coax Mytek Brooklyn DAC+ RME ADI-2 DAC FS (AKM, 2nd Ed., first batch in Europe) Violectric V280 SPL Phonitor 2 Bluesound Node 2i Wireworld Chroma 8 coaxĢ Channel: Lenovo M90n IoT, Audio-gd DI-20HE, Master 19, R8 MK2 Mutec REF10, MC-3+ USB, MC-1.1+ TASCAM DA-3000, RW901MKII Oppo UDP-205 Bluesound B100S Musical Fidelity M5si, Klipsch R-26F floorstanders on custom isolators DIY AES/EBU and balanced analog cables from Sommer cable stock, Hicon connectors Wireworld Ultraviolet 7 HDMI & coax Damar & Hagen bydpete Tertiary systems: Yamaha MusicCast JBL Control 5s on Gravity stands Audio-gd R2R-11 rev. The annoyance comes from the fact that “Origin” is clearly a feature-limited version of “Studio”, with all the same non-streaming bugs that “Studio” still has, and with LESS functionality than Audirvana+ 3.5 at a higher cost.Īudirvana+ 3.5 was $79 for a perpetual license, and included streaming support. So, I’m posting to make you aware of the existence of “Origin”, but also as a caution, and perhaps some annoyance. This is still not in a state where I want to pay for it … (and since I bought a second Roon subscription, the only reason to do so AT ALL is because Audirvana is Apple Silicon/M1 native, where as Roon still needs Rosetta2). I don’t trust it, at all, with DLNA/UPnP devices. The interface is still very confused, problematically low-contrast, and there are still many operational issues. A lot of bugs in “Studio” have been fixed, but by no means all. I subscribed, on a monthly plan, to Audirvana Studio to see where things are at. I wound up swearing off Audirvana Studio and buying another Roon subscription for my laptop/travel usage. But the fact that, at launch, the software wasn’t nearly ready for production did. The subscription did not, particularly, bother me. There was LOTS of consternation about the subscription nature of “Audirvana Studio” as a replacement for the perpetual license of “Audirvana+ 3.5”. I don’t like to shit on companies/products, especially ones that I’ve bought product from, but sometimes it is “necessary” (or, at least, intellectually honest to do so) …Īudirvana have released a non-subscription music-player application, for local files only ( NO STREAMING) called “Audirvana Origin” (I’m not going to provide links use Google). If so, you might want to focus on deals that offer a relatively high IRR, though your money has less time to grow, and the returns may not be as high as those offered by other deals. Again, we all want to make money, but do you want your returns to be rapid so that you can make another investment or use your money for something else? These statistics also provide a good framework for taking stock of your investment goals. I like to look at these numbers together because they can tell very different stories. So, in the example, the first transaction would have a higher IRR with a 2x EM, and the second transaction would have a lower IRR with a 2x EM. Unlike the IRR, the EM doesn’t take into account the amount of time that elapses between an investment and the receipt of the return on it. In the previous example, in which I borrow $10 from you and return $20 to you, the equity multiple would be 2x. This statistic represents the relationship between the money that you invest and the money that you receive back expressed as a multiple. I’ll provide a more concrete example in a moment.Īnother number that you often hear mentioned is the equity multiple or EM. I keep my eye on the IRR but don’t try to work it out myself. I think of it as the creatinine clearance of real estate syndications. People usually don’t try to calculate this statistic because doing so requires spreadsheets and a bunch of equations. Put another way, the IRR correlates positively with how quickly you receive your returns. So, the first, quicker transaction would have a higher IRR than the second, slower one. However, if I borrowed the $10 and gave you back the $20 six months from now, you’d probably be less happy with it. For example, if I borrow $10 from you and pay you back $20 the next day, chances are you’d be pretty happy with the transaction. IRR stands for “internal rate of return.” In layman’s terms, this figure is the return that investors receive taking into account how quickly it accrues. So, let’s break these concepts down one by one. It always bothered me that I couldn’t get a straight answer when I asked about returns, just “IRR this” and “EM that.” I kept hearing something about cash, too, but a lot less often than the other numbers. In the end, what we really care about is how much money ends up in our pockets, right? This article summarizes briefly the returns on these investments. Right now, though, more and more docs are investing in real estate syndications. For most of us doctors, who have little to no financial education, it’s like looking at Latin, or maybe a diagram of the urea cycle-though I’m told a few docs still remember how that works, and I’m sure it’ll be useful someday. It’s hard enough for seasoned stock investors to keep track of these details. In the discussion of real estate syndications, a lot of numbers and acronyms get thrown around. This guest post, submitted by site sponsor Ascent Equity, a real estate company founded by three physician investors, takes a look at these numbers and sheds some light on the situation. How do you make sense of what numbers mean what? And which return calculations do the savviest real estate investors pay attention to most often? But you may find yourself soon swimming in a variety of numbers and acronyms. # If the WARN_AS_ERROR tag is set to YES then doxygen will immediately stop when # parameter documentation, but not about the absence of documentation. If WARNINGS is set to -737,7 +747,7 WARN_IF_DOC_ERROR = YES # generated to standard error (stderr) by doxygen. # The WARNINGS tag can be used to turn on/off the warning messages that are # documentation for inline -705,7 +715,7 CITE_BIB_FILES = # If the INLINE_INFO tag is set to YES then a tag is inserted in the # files with double quotes in the documentation rather than with sharp brackets. If set to -538,7 +548,7 SHOW_GROUPED_MEMB_INC = NO # locally in source files will be included in the documentation. # If the EXTRACT_LOCAL_CLASSES tag is set to YES, classes (and structs) defined # If the EXTRACT_STATIC tag is set to YES, all static members of a file will be # scope will be included in the documentation. # If the EXTRACT_PACKAGE tag is set to YES, all members with package or internal # If the EXTRACT_PRIVATE tag is set to YES, all private members of a class will # normally produced when WARNINGS is set to YES. # path mentioned in the documentation of a class, which tells the reader -416,25 +426,25 LOOKUP_CACHE_SIZE = 0 +STRIP_FROM_PATH = The STRIP_FROM_INC_PATH tag can be used to strip a user-defined part of the # This tag requires that the tag FULL_PATH_NAMES is set to YES. # will be relative from the directory where doxygen is started. # doxygen will generate a detailed section even if there is only a -152,7 +162,7 FULL_PATH_NAMES = YES # If the ALWAYS_DETAILED_SEC and REPEAT_BRIEF tags are both set to YES then # specifies, contains, represents, a, an and the. # the entity):The $name class, The $name widget, The $name file, is, provides, # characters to appear in the names of generated files. # If the ALLOW_UNICODE_NAMES tag is set to YES, doxygen will allow non-ASCII # performance problems for the file system. # directories (in 2 levels) under the output directory of each output format -68,7 +68,7 OUTPUT_DIRECTORY = +OUTPUT_DIRECTORY = If the CREATE_SUBDIRS tag is set to YES then doxygen will create 4096 sub. # left blank the current directory will be used. # entered, it will be relative to the location where doxygen was started. # could be handy for archiving the generated documentation or if some -58,7 +58,7 PROJECT_LOGO = +PROJECT_NAME = The PROJECT_NUMBER tag can be used to enter a project or revision number. # title of most generated pages and in a few other places. Find_package (Doxygen ) if (DOXYGEN_FOUND ) # Doxygenがある場合のみ"make doxygen"というmakeのターゲットを用意しておく add_custom_target (doxygen ) endif () # add_doxygen関数 # 個別のビルド対象に対する"make doxygen-$ ) endfunction ()ĭiff -git a/Doxygen/Doxyfile.in b/Doxygen/Doxyfile.in Targeted best for 40% uphill / 60% downhill.ħ0-60 flex rating is the quintessential lightweight multi-day hut-to-hut touring boot. In this date and age, the category's ambassador in this stiffness range is the Dynafit TLT 5 Series, an important change of paradigm in the AT boot universe induced by advances in both design and technology. The definitive boot that epitomized the category at the time was the Scarpa Denali (in its various evolutions), well-liked among guides and patrollers in both North America and Europe. They are softer boots than the "Free Touring" variety, light enough for extended touring but with enough stiffness for decent downhill performance. Almost all come with 4 buckles, the stiffest tongues, both ISO and DIN-compatible soles and are best for 30% uphill / 70% downhill.Ĩ0-75 flex rating used to be the stiffest boots you could get at the dawn of the 21st century. In the last few years, Dynafit's "Green Machine" has taken this category by storm. Given the improvements in stiffness, many users buy these boots as their "quiver of one" for both piste and off piste skiing. He probably ski them with Marker Dukes too, so best for 10% uphill / 90% downhill.ĩ5-85 flex rating is the new breed of "Free Touring" boots good for single-day BC forays and mixed on-piste/sidecountry use. These features make them most appropriate for the sidecountry skier that wants the stiffest boot with Vibram soles for the ocassional bootpack through rocky terrain. Only stiff Lange race plugs are above them in terms of stiffness. They have absolutely nothing to envy proper alpine skiing boots in terms of downhill performance and in most cases they will feel at home in alpine bindings too. A single alpine boot brand's flex range (in this case, Salomon) makes for better comparability in contrast to mixing flex ranges from Lange, Tecnica or Nordica.ī) Once the stiffest AT/Freeride boots flex ratings have been established, the ratings of the softer AT boots were established down the flex range fine-tuning up or down according to, again, maggots' input.ġ00 - Salomon X-Wave 9 ("a notch or two above Denali TT")ĩ5 - Salomon Gun ("Endorphin not as stiff")ĩ0 - Salomon X-Wave 8 ("the Endorphins are comparable", "if my x-wave 8 is really a flex index of 90, instead of 80 like I thought, I could agree with the fact that the FR Aero is an 80")ġ10 - Dynafit Vulcan, Black Diamond Factor 130ġ00 - Dynafit Titan/UL, Scarpa Maestrale RS, Scarpa Hurricane*, Black Diamond Factor 110, Garmont Cosmosĩ5 - Dynafit ONE, Scarpa Typhoon/Skookum (stiff tongue), BD Quadrant, Garmont Endorphin, Garmont Axonĩ0 - Dynafit ZZeus, Dynafit Aero Freeride (4-buckle), Garmont Orbit, Garmont RadiumĨ5 - Dynafit Zzero CF 4-buckle (the "old" Green Machine), Scarpa Tornado/Pro (black tongue), Scarpa Spirit 4 (black tongue), Garmont Adrenaline, Black Diamond Method, Salomon Ellipse e2Ĩ0 - Dynafit TLT 5 Perfomance, Dynafit Zzero PX 4-buckle, Scarpa Denali XT/TT, Scarpa Maestrale, Scarpa Spirit 4 (green tongue), Lowa Struktura Rodeo/Proħ5 - Dynafit TLT 5 Mountain, Dynafit Aero Speed (3-buckle), Dyanfit Zzero CF 3-buckle, Scarpa Spirit 3, Garmont Megaride/G-Ride, Lowa Struktura Evoħ0 - Dynafit Dy.N.A EVO, Dynafit TLT 700, Scarpa Matrix, Old Scarpa Denali (4-buckle red shell)Ħ0 - Dynafit Dy.N.A PDG, Dynafit TLT 500 (2-buckle + strap), Scarpa F1 Carbon, Scarpa Laser, Scarpa F3, Garmont Dynamiteĥ0 - Scarpa F1, Garmont Megalite, Dynafit TLT 4 Evo (3-buckle), Dynafit TLT 4 Lite (2-buckle + strap), Dynafit Zzero 2C (?)Ĥ0 - Scarpa F1 Race (2-buckle, no strap), Dynafit TLT Race Pro (1-buckle + strap)ġ10-100 flex rating boots currently in the market are the stiffest AT boots you can buy. The list has been (un-scientifically) compiled by:Ī) Maggots' input comparing their stiffest AT/Freeride boots' flex (Endorphins, Tornado, Aero Freeride) against their alpine Sollies. There really is a reason why not a single professional is using an overall sensitivity that only requires a couple of millimeters for a 360. If you find that your eDPI is a lot higher than what the pros are using we definitely recommend lowering it. This looks (and feels) weird to many beginning shooter players but having a lower overall sensitivity allows for much more precise aiming, and there’s definitely a point where your sensitivity can be so high that you can’t reliably control your spray or make micro adjustments. Pretty much every professional shooter player has an overall sensitivity that requires a large mousepad to accommodate for their large swipes. Something you might notice is that CS:GO pros have a rather low overall sensitivity compared to most ‘casual gamers’. You can calculate that by multiplying your mouse’s DPI (Dots Per Inch) and your ingame sensitivity, and it allows us to compare the actual sensitivity of different players regardless of their hardware settings. The most relevant value when controlling your mouse is called eDPI. This guide will walk you through everything you need to know. You might have already heard about terms like sensitivity, raw input or mouse acceleration. There are a couple mouse settings that have to be configured optimally. Best Mouse Settings for CS:GOĪfter you have chosen which mouse you are going to use ( check out our recommended mice for CS:GO here) you might be wondering which ingame settings you’re supposed to pick. In the second part of this guide we’ll give you the best ingame settings to get the most FPS out of your PC. We’ve analyzed the sensitivity, DPI & eDPI, resolution, monitor refresh rates (in Hz) and much more and distilled all of that into this guide for you to use. This guide gathers average values and interesting outliers from our CS:GO Pro Settings and Gear list to give you a starting point to find the best settings for CS:GO. With so many options to tweak, it’s understandable that some people can’t really see the forest for the trees, and that’s where we come in. Contrary to most other games you’ll see a ton of different resolutions being used by the pros, for example. Something that’s pretty unique to the game is just how many options there are to tweak the game to your own liking. The easy to understand concept coupled with an insanely high skill ceiling and a large amount of avenues to better yourself keeps drawing people in, both as players and spectators. Counter-Strike: Global Offensive (or CS:GO, as most people call it) is one of the most popular games on the planet. Be certain you have the syntax 100% correct, if you are not sure if the syntax is correct do not execute the commands, and instead you’d likely want to use the Finder based approach of uninstalling java instead. Sudo rm -rf "~/Library/Application Support/Java" Sudo rm -rf "/Library/PreferencePanes/JavaControlPanel.prefPane" Sudo rm -rf "/Library/Internet Plug-Ins/ugin" One by one, execute each of the following commands individually: This is not for novice users, using the command line requires precise syntax and failure to use proper syntax may result in erroneous commands or unintended data loss. You can also uninstall Java from the command line by using the rm command, this is aimed for advanced users who understand the ramifications of using rm with superuser privileges. Uninstalling Java and JRE from Mac OS Command Line The Finder based approach is the easier and safer way to uninstall Java from a Mac, though Mac users can also remove Java and JRE via the command line as well. Java will be removed completely this way.
Nanophage card 73: Theodore Witkiewicz’s dream sequence (Her Fearful Symmetry), Attached to the basement door before you exit through the hole, at the end of the sequence. Nanophage card 72: Theodore Witkiewicz’s dream sequence (Her Fearful Symmetry), Ground floor, check for a drawer with a mirror on top of it, near Rooms 004-005. As soon as you enter the room, you will see a hole, go through with it, when you reach the end, turn left and check the wall. Nanophage card 71: Room 037(Her Fearful Symmetry). Nanophage card 70: Room 207(Her Fearful Symmetry), as soon as you enter the room, turn left. This achievement requires you to find all roses in the game. (This door will be closed if you haven’t collected all three cars before Helena’s mind sequence)įind all roses and discover the final resting place. R.C Car 4: In Helena’s Mind sequence, where you walk with the TV, go directly to door in front of you, follow it to a room and interact wıth the final RC Car. It will stop near the dumpsters left of the Tattoo Parlor. R.C Car 3: When you enter the courtyard after you get the second R.C Car, third one will be running around in the courtyard. R.C Car 2: This one is located in the Kitchen/Dining room area at the second floor.Īs soon as you enter, check under the table in front of you It will turn left and stop in front of the Room 017. R.C Car 1: When you first arrive to lobby you will see a RC Car racing around. This achievement requires you to find all R.C Cars in the game. If you are having trouble finding computers, I suggest you check the rooms related to new achievements (Errant Signal, Her Fearful Symmetry, It Runs in the Family)įind all RC cars and recall a memory of Adam. The last 2 will be in Victor Maderski’s Hideout in the Attic, so make sure you enter the Attic with 15 levels unlocked. There are 17 levels in different computers spread through the game. This achievement requires you to finish all Fire and Sword: Spiders games. (Anna’s birthday.) End the case by informing the daugther about his father’s death.Ĭomplete all With Fire and Sword: Spiders arcade games Part 4: After the mind sequence ends, open the computer and read the mail “Goodbye, Dad”. Break it and proceed with the mind sequence. Part 3: Check the hanged man’s neck, there will be a lock. Set up the crane using the switches near the computer and use the other switch in the other room to lower it. Check the other room and examine the hanged man. It’s located on the table as soon as you enter the room. Part 1: Get the key for Room 208 in the backroom of the Tattoo Parlor. The achievement will pop when the credits end.įind out the true reason behind the hanged man’s death You can reach this ending by embracing Adam at the end of the Sanctuary. After all games are finished, you will get the achievement. There’s no winning in these games so you can just skip it by dying. You need to finish all 3 games when you are in Adam’s mind. The achievement will pop when the credits end. You can reach this ending by rejecting Adam at the end of the Sanctuary. Part 7: As soon as you leave the room, you get the achievement. I have shown the easiest way through the mind sequence in the video below. There will be a new mind sequence with some puzzles. Part 6: Computer sends you to Room 037 at Basement. Part 5: After you read all messages in shrines, Go to Room 207. Part 4: Shrine 4 is located near Room 211 in the second floor. Be alarmed, weird “stuff” happens in here. Part 3: Shrine 3 is located in a bathroom near Room 109. Part 2: Shrine 2 is located near Rooms 106 and 107, in the first floor. Next, plug the cables and read the message. Interact with it and it triggers the case. Part 1: When you first arrive to Lobby, near Room 016, there’s a shrine. Interact with it and let the cutscene play. When you go upstairs the ladder, you will see a white Dove inside a cage. When you are in the Attic, you will come across an area with bird cages, that can be reached by a ladder. There are a lot of objects in this game so you won’t be missing this achievement. This achievement requires you to analyze 100 different objects by using Electromagnetic vision or Biovision throughout the game. I recalled Owl’s vision of himself as a surfer, “It’s a better me”.Īnd, then scant few months later I am in email exchanges with Maurice about a custom board. Just like me this person is learning about life. Just like me, this person is trying to avoid suffering in his/her life. In calming shades of blue and green was written a series of compassion exercises. She pressed a little card into my hand when we parted and said “read this”. Sometime during a particularly toxic exchange I had to take stock. Maybe we came to virtual blows when Rory Parker ended up in conflict with Cole and I got caught up somehow. I was a Maurice fan since he took aim at racism in Australian politics. In the interim me and Maurice had beef, sometimes epic beef on the internets. I’d had an epic Tom Curren inspired 7’3” reverse-vee sometime in the nineties which circumnavigated the globe and ended up left behind in Guam as rental payment on a house. My prior experience with Maurice wasn’t quite so chummy. Rielly identified the strengths and weaknesses in Smith’s approach and they got to something that worked. BeachGrit’s own Chas Smith wrote an article in Surfing Life where he detailed some of the struggle and outsourced the knowledge to his pal D. No activity engenders so much self deception. The line up is full of the surfer stinking the joint up on the wrong sled. Self-knowledge, or lack of is the biggest obstacle. You’ve probably got your own scenario where you looked at the freshies in the rack and thought “That can’t be it”. My mate ordered a single fin and got a thruster, from a shaper who has spent a career railing against the hegemony of the three fin. The list of horror stories when trying to order custom equipment is long and never ending. That view was formed by tutelage under North Shore resident and Cherokee Indian Craig “Owl” Chapman, who continually stressed the importance, the advantage conferred, by having the “best board in the line-up”. It’s my belief the working gal of an intermediate or beyond skill set can gain ground, tortoise and hare style, over the more naturally gifted through the development and acquisition of superior equipment. You’ve probably got your own scenario where you looked at the freshies in the rack and thought “that can’t be it”. Fuck, it’s got my name on the stringer. One quick lap around the internet surf forums, or in real life carparks puts the vexed issue of surfboards front and centre. Right now, I fight the strongest impulses to down tools and get out there again. Today ends in a blur of surf stupefaction and a blank screen. Every day I’ve broken contracts with myself. Double-overhead Point surf, high-speed racetracks. The exact same surf I envisioned the board to ride in. Not because I have nothing to say about the process of ordering and receiving a custom surfboard off Maurice Cole, a 6’3″ Protow round-pin designed for good-to-excellent Point surf, but because the whole last week and while Derek Rielly has been busting my nuts every day to get the review done, the surf has been relentlessly pumping. This has been a king hell biiiiatch to write, this review. |